William Shakespeares' "The Tragedy of Julius Caesar", Aquila Theater Company, New York City
I had sent this email just this evening to a friend of mine on Twitter who was having some trouble with a university project, which required her to either write a monologue or a two-part dialogue. (She considered the dialogue to be a 'cop-out', so we know what her decision is!) I had sent her this email, hoping to inspire her, and to approach it at a different angle. Here's what I wrote to my friend:
Okay, so you want to write a monologue. It's not as daunting as you think, when you apply yourself to it.
I'd been doing theatre all my life, and I love the acting craft. I have so much appreciation for everything having to do with breathing life into words on paper, flushing them out into moving pictures and beyond talking heads. I think one of the big misunderstandings about the words in the script is that the playwright must been a keen observer of the human spirit, psyche and nature to compose such natural dialogue. Boy, I wonder how people speak themselves, if it isn't in natural dialogue?
That's the big hurdle - making sure it sounds natural and not contrived. The only way I could ever find my way around that was to write about something I felt passionate about. I say 'passionate', because it could be something I truly love, or deeply despise, or desperately yearn for, or something that's cut me deep. The moment could be of pure clarity in making an important decision in your life, or a tyrannical rant when your last straw has broken. You could be confessing your love for someone who doesn't return it, or declaring your disgust after being witness to something you stand against.












